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Wouldn’t It Be Milchadik?
Franklin Bruno

A digital project, part of Inverted Circle, Media Studies
  • Franklin Bruno is the author of The Accordion Repertoire (poetry; Edge Books, 2012) and Armed Forces (criticism; Continuum, 2006). He is currently working on a book about bridges, middle eights, and breakdowns in popular music for Wesleyan University Press. His most recent album with the Human Hearts, Another, was released by Shrimper Records in 2012. He lives in Jackson Heights, Queens.
“Wouldn't it Be Milchadik?” was commissioned by Triple Canopy through its 2011 call for proposals for the Research Work project area, which receives support from the Andy Warhol Foundation for the Visual Arts, the Brown Foundation, Inc., of Houston, the Lambent Foundation Fund of Tides Foundation, the National Endowment for the Arts, and the New York City Department of Cultural Affairs in partnership with the City Council.
Tags: Essay, Identity, Performance
Media Studies
  • Sons, by Sara Greenberger Rafferty
  • Aba Okipasyon, by Ryan Ffrench & Emmanuel Broadus
  • Wouldn’t It Be Milchadik?, by Franklin Bruno
  • Another Portrait of Jason, by Matt Wolf
  • After the Fact, by Christy Lange
  • Television for the People, by Ed Halter
  • The Flash Made Flesh, by Mary Walling Blackburn & A. B. Huber
  • Brown Skin, Blue Masks, by Nadja Millner-Larsen, Wazhmah Osman & Danyel Ferrari
  • Jukeboxes on the Moon, by Rafil Kroll-Zaidi
  • Tacky Souvenirs of Pre-Inaugural America, by Ben Tausig
  • This Little Lard, by Hassan Khan & Clare Davies
  • Tunguska International, by Craig Kalpakjian & Sarah Kessler
  • Erased Reflection (Screenshot), 2011, by Triple Canopy
  • Everyday Static Transmissions, by Benjamin Tiven with Brian Larkin & Tavia Nyong’o
  • Nocturnal Dream Shows, by Malik Gaines & Thomas J. Lax
  • Electric Narcissus, by Flaherty NYC, Joan Jonas & Kris Paulsen
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  • Bodies Against Time, by Zoe Beloff Negative Infinity
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